girled so hard i get pink flowers. healed so hard i like it.
jun/aug 2026. pikola olomouc.
the current exhibition cycle, girled so hard i get pink flowers. healed so hard i like it. retains a signature material rawness while opening an entirely new and intimate chapter. this exhibition represents an important milestone in the artist's creative development, balancing between recent prague exhibitions and an upcoming summer art residency in barcelona. it is a deep exploration of the healing process, the rediscovery of one's own vulnerability, and the conscious shedding of old defensive structures.
pink takes on the lead role here, abundantly woven into the artworks and concealing unexpected strength, layered emotions, and social prejudices. a shade often perceived as naive or unserious transforms in this space into a confident manifesto of gentleness. the pink thread, raw canvas, safety pins, and blurred stains are not merely formal elements of the image but function as a tangible insight into internal psychological processes. the act of connecting individual layers and the fragility of the material offer the viewer a safe space for self reflection. thus, the exhibition does not explain everything to the end but becomes a quiet visual foreground for honesty and the free acceptance of our own essence.
what falls, stays.
apr/may 2026. gallery recesse prague.
the mechanics of subjective reality and constant change take physical form through raw unprimed canvas and diffusing ink. the pigment soaks directly into the fibers, mirroring how objective reality saturates and shapes us. the physical pieces integrate unused canvas scraps and fragments of secondhand clothing, representing identities that stretch, deform and adapt to external pressures.
the presented works transcend physical and conceptual boundaries. the disintegration of established structures is not framed as chaos, but as a necessary movement that enables evolution within a transforming reality.
an immersive projection accompanies the installation, using raw handheld footage to document the processes behind the final works. projected directly into the gallery space, these unedited wide angle sequences function as a digital equivalent to the diffusing ink. the moving visual diary captures moments when external reality soaks into the artists thinking, serving as a living testimony to constant transformation.
in the raw
mar/apr 2026. dab gallery prague.
in the raw explores the tension between control and conscious release through intuitive gestures and mixed media. the creative process serves as a record of internal movement rather than a preformulated message. ink soaking into raw canvas penetrates inward, mirroring how experience gets under the skin, while intuitive lines in pastel or graphite disrupt the visual structure.
the physical presence of the works is amplified by the integration of textiles, lace, tulle and denim. working with unpredictable elements like water and chance allows for a delicate balance between rawness and delicacy. truth is born out of this material tension.
referring to naturalness and the courage to let things flow, the exhibition functions as a quiet but firmly anchored gesture. it stands as a reminder that strength does not have to be ostentatious to be profound.